It’s not going to be a pain to carry around like an 88-key synthesizer might be. Overall, I’d have to say that the style of the synthesizer is in my top 10, and quite frankly that’s mostly because of its size. This makes travel and being mobile very easy, and that is one of the many strengths of the Moog Sub Phatty. In my experience with it, the Sub Phatty is only slightly larger than the OP-1. The style of the keyboard is quite beautiful in its own respect, and while it may not initially look like it, the board is actually quite small. Thanks to the simple and clean interface of the Moog Sub Phatty synth, even a beginner should not have too many problems learning the ins and outs of the instrument. Though it is a very small instrument, it is very easy and simple to play. I thought this would be an issue with the Sub Phatty, but I was pleasantly surprised to find out that this was not the case in the slightest and for once, I enjoyed this style of synth. The console/panel was coming up at an angle that was too high for my preference. In my review of the Korg MS20 Mini, I pointed out that one thing I didn’t like was the keyboard style. Typically, I prefer synthesizers that have a flattop design. Even if you choose to go with something else, the instrument commands respect from all musicians around the world, as its output is simply incredible. Generally, if what you need is a beast synthesizer with astonishing sounds, then you definitely have to put the Moog Sub Phatty synth in the conversation. Moog has always been known to pay attention to detail on the little things that matter, but especially the sound quality which in fact is no “little thing” at all. It has various features and capabilities that you would not otherwise get on another synthesizer, and that makes it special. The Moog Sub Phatty Analog Synthesizer is quite the unique instrument.